Still Moving Images

TheColumbia Global Paris Centeraddresses pressing global issues that are at the forefront of international education and research: agency and gender; climate and the environment; critical dialogues for just societies; encounters in the arts; and health and medical science.Nestled in the Montparnasse district,Reid Hallhosts several Columbia University initiatives:Columbia Global Centers | Paris, theInstitute for Ideas and Imagination,Columbia Undergraduate Programs,M.A. in History and Literature, and theGSAPP Shape of Two Cities Program. This unique combination of resources is enhanced by our global network whose mission is to expand the University's engagement the world over through educational programs, research initiatives, regional partnerships, and public events.The Paris Center is part of Columbia Global, which brings together major global initiatives from across the university to advance knowledge and foster global engagement. Its mission is to address complex global challenges through groundbreaking scholarly pursuits, leadership development, cutting-edge research, and projects that aim for social impact. Its long-term goal is to reimagine the university’s role in society as not only a nexus for learning and intellectual exploration but also as a catalyst for creativity and impact locally, regionally, and globally. Columbia Global includes eleven Global Centers, as well as the Institute for Ideas and Imagination, the Committee on Global Thought, and Columbia World Projects.

Columbia Global Paris Center

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with Tina Campt, Claire Tow and Ann Whitney Olin Professor of Africana and Women’s Gender and Sexuality Studies, Barnard College,  and Fellow, Institute for Ideas and Imagination
This lecture explores the affects of black visuality that converge in a genre of imagery called still-moving-images. Still-moving-images are images that hover somewhere between still and moving images and require the affective labor of feeling with or through them. They are images that require us to engage the overlapping sensory realms of the visual, the sonic, the haptic, and the affective labor that constellates in, around and in response to such images.  The talk will animate and engage  a series of filmic works that trouble the relationship between stillness, movement and motion, and reconfigure these blurred lines to create forms of black visuality which challenge their audiences to confront their own relationship to the precarity of black life in the twenty-first century.
Part of the 'Wednesdays at the Institute' lecture series organized by Institute for Ideas and Imagination and Columbia Global Centers l Paris. 
 
photo: from Love Is The Message, The Message Is Death (Arthur Jaffa 2016)
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<IMG SRC="https://cdn.evbuc.com/eventlogos/136774552/tinacampt.jpg">Tina Campt is Claire Tow and Ann Whitney Olin Professor of Africana and Women’s Gender and Sexuality Studies. Campt joined the Barnard faculty in 2010, prior to which she held faculty positions at Duke University, the University of California-Santa Cruz and the Technical University of Berlin. Originally trained in modern German history at Cornell University, Professor Campt’s published work explores gender, racial and diasporic formation in black communities in Germany, and Europe more broadly. She is the author of three books. Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich (University of Michigan Press, 2004) is a historical inquiry based on oral histories and archival documents that explores the experiences of Black Germans during the Third Reich. Image Matters: Archive, Photography and the African Diaspora in Europe (Duke University Press, 2012) theorizes the affects of family photography in early twentieth century Black German and Black British communities. Her most recent book, Listening to Images (Duke University Press, 2017) theorizes the everyday practices of refusal and fugitivity enacted in a frequently overlooked genre of black vernacular photographs she calls ‘quiet photography.’ Campt has edited special issues of Feminist Review, Callaloo and Small Axe, and together with Paul Gilroy, co-edited Der Black Atlantik (Haus der Kulturen der Welt, 2004), the first German language collection of key texts on the Black Atlantic. Professor Campt is the recipient of research grants and fellowships from the Leverhulme Trust, the American Association of University Women, The German Academic Exchange Service (DAAD), the Social Science Research Council, and the Robert Penn Warren Center for the Humanities. Campt will be on leave at Columbia University's Institute for Ideas and Imagination during the academic year 2018-19.

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Still Moving Images

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Still Moving Images

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