Name: The Makeup and Mockup of a Musical Process
Start: 2019-05-29T19:00:00+02:00
End: 2019-05-29T21:30:00+02:00
Location: Columbia Global Centers | Paris, Reid Hall

The Makeup and Mockup of a Musical Process

TheColumbia Global Paris Centeraddresses pressing global issues that are at the forefront of international education and research: agency and gender; climate and the environment; critical dialogues for just societies; encounters in the arts; and health and medical science.Nestled in the Montparnasse district,Reid Hallhosts several Columbia University initiatives:Columbia Global Centers | Paris, theInstitute for Ideas and Imagination,Columbia Undergraduate Programs,M.A. in History and Literature, and theGSAPP Shape of Two Cities Program. This unique combination of resources is enhanced by our global network whose mission is to expand the University's engagement the world over through educational programs, research initiatives, regional partnerships, and public events.The Paris Center is part of Columbia Global, which brings together major global initiatives from across the university to advance knowledge and foster global engagement. Its mission is to address complex global challenges through groundbreaking scholarly pursuits, leadership development, cutting-edge research, and projects that aim for social impact. Its long-term goal is to reimagine the university’s role in society as not only a nexus for learning and intellectual exploration but also as a catalyst for creativity and impact locally, regionally, and globally. Columbia Global includes eleven Global Centers, as well as the Institute for Ideas and Imagination, the Committee on Global Thought, and Columbia World Projects.

Columbia Global Paris Center

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<H2>7 pm pre-concert lecture by Zosha Di Castri </H2>
<H2>8 pm concert of chamber music by Zosha Di Castri, with Ensemble Cairn</H2>
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<P>Program:</P>
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<P CLASS="m_-6010948398500357926s3"><SPAN CLASS="m_-6010948398500357926s4">Patina (2016), for solo violin </SPAN></P>
<P CLASS="m_-6010948398500357926s3"><SPAN CLASS="m_-6010948398500357926s4">Quartet No.1 (2016), for string quartet</SPAN></P>
<P CLASS="m_-6010948398500357926s3"><SPAN CLASS="m_-6010948398500357926s4">Sprung Testament (2018),</SPAN><SPAN CLASS="m_-6010948398500357926s4"> in three movements,</SPAN><SPAN CLASS="m_-6010948398500357926s4"> for violin and piano </SPAN></P>
<P CLASS="m_-6010948398500357926s3"><SPAN CLASS="m_-6010948398500357926s4">The Contours of Absence (2018), for double</SPAN><SPAN> string quartet</SPAN></P>
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<P>Zosha Di Castri</P>
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<P><STRONG>Canada / United States Columbia University</STRONG></P>
<P>Zosha Di Castri is a Canadian composer/ pianist/sound artist living in New York. She is currently the Francis Goelet Assistant Professor of Music at Columbia University. Her work (which has been per- formed in Canada, the US, South America, Asia, and Europe) extends beyond purely concert music including projects with elec- tronics, installations, and collaborations with video and dance. She has worked with such ensembles as the San Francisco Symphony, Montreal Symphony Orchestra, the National Arts Centre Orchestra, the L.A. Philharmonic, the Chicago Symphony Orchestra, the New York Philharmonic, ICE, Wet Ink, Ekmeles, the NEM, and Talea Ensemble among others.</P>
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<P><SPAN><SPAN><STRONG><SPAN>Organized by the Institute for Ideas and Imagination as part of its Wednesdays at the Institute/Mercredis de l'Institut series.</SPAN></STRONG></SPAN></SPAN></P>
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<P><SPAN><SPAN><STRONG><SPAN>Cosponsors</SPAN></STRONG></SPAN></SPAN></P>
<P><SPAN><SPAN><SPAN>The Institute for Ideas and Imagination; Fritz Reiner Center  for Contemporary Music; Columbia Global Centers | Paris; Department of Music, Columbia University; Columbia University Club of France; and Columbia Undergraduate Programs in Paris</SPAN></SPAN></SPAN></P>
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<P><STRONG>This performance has been made possible through the New Music Fund, a program of FACE Foundation, with generous funding from the Cultural Services of the French Embassy in the United States, Florence Gould Foundation, Fondation CHANEL, French Ministry of Culture, Institut français-Paris, and SACEM (Société des Auteurs, Compositeurs et Editeurs de Musique).</STRONG> </P>
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The Makeup and Mockup of a Musical Process

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